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| TREON260 |
The Smiths earliest demos. Recorded in Johnny Marr's attic bedroom on his TEAC three-track cassette recorder and at Decibel Studios, Manchester during August 1982.
Background:
On 31 August 1978, a 19-year-old Morrissey was briefly introduced to the 14-year-old Johnny Marr by mutual acquaintances Billy Duffy and Howard Bates at a Patti Smith gig held at Manchester's Apollo Theatre.
In May 1982 Marr decided that he wanted to establish a new band, and subsequently turned up on the doorstep of Morrissey's house accompanied by mutual friend Steve Pomfret, to ask Morrissey if he was interested in founding a band with himself and Pomfret. Morrissey and Marr bonded with their love of poetry and literature. A fan of the New York Dolls, Marr had been impressed that Morrissey had authored a book on the band, and was inspired to turn up on his doorstep following the example of Jerry Leiber, who had formed his working partnership with Mike Stoller after turning up at the latter's door. According to Morrissey: "We got on absolutely famously. We were very similar in drive." Conversing, the two found that they were fans of many of the same bands. The next day, Morrissey phoned Marr to confirm that he would be interested in forming a band with him.
A few days later, Morrissey and Marr held their first rehearsal in Marr's rented attic room in Bowdon. Morrissey provided the lyrics for "Don't Blow Your Own Horn", the first song that they worked on; however, they decided against retaining the song, with Marr commenting that "neither of us liked it very much". The next song that they worked on was "The Hand That Rocks the Cradle", which again was based on lyrics produced by Morrissey. Marr included a tempo which was based on the Patti Smith song "Kimberly", and they recorded it on Marr's TEAC three-track cassette recorder. The third track that the duo worked on was "Suffer Little Children". Alongside these original compositions, Morrissey suggested that the band produce a cover of "I Want a Boy for My Birthday", a song by the 1960s American girl band the Cookies; although he had never heard of the song before, Marr agreed, enjoying the subversive element of having a male vocalist sing it, and the song was recorded on his TEAC machine.
After remaining with the band for several rehearsals, Pomfret departed acrimoniously. He was replaced by the bass player Dale Hibbert, who worked at Manchester's Decibel Studios, where Marr had met him while recording Freak Party's demo. It was through Hibbert that the Smiths were able to record their first demo at Decibel, doing so one night in August 1982. Aided by drummer Simon Wolstencroft, whom Marr had worked with in Freak Party, the band recorded both "The Hand That Rocks the Cradle" and "Suffer Little Children". Wolstencroft was not interested in joining the band, so auditions were held to find a permanent drummer, which resulted in Mike Joyce joining them; he later revealed that he was under the influence of magic mushrooms during his audition performance. Meanwhile, Morrissey took the demo recording to Factory Records, but Factory's Tony Wilson wasn't interested. source
Notes:
The version of "Suffer Little Children" was very clipped, so I've fixed that. "I Want A Boy For My Birthday" had about eight seconds of silence at the end which I removed. For more early Smiths recordings check out this Troy Tate sessions collection.
Tracklist:
01 - I Want A Boy For My Birthday (The Cookies Cover)
02 - Hand That Rocks The Cradle (Decibel Studios)
03 - Suffer Little Children (Decibel Studios)
02 - Hand That Rocks The Cradle (Decibel Studios)
03 - Suffer Little Children (Decibel Studios)
Password: TREON260
